The results of these deliberations should flow into the project proposal you are required to submit by the end of week 6, using the proposal form provided. The form provides the space to add a project description and project-specific items.

Your tutor will then assess the suitability of your chosen project to meet the requirements of the Creative Case Study. In the individual consultation session in weeks 8 and 9, you will receive their feedback on the project proposal, and will have an opportCreative Case Studyy to address any problems your tutor identifies, where this is necessary.

Your final mark for the project proposal will reflect both the quality of the proposal itself, and the quality of this feedback session. If you fail to attend this session, your project proposal will not receive a mark.

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Business Type: Small Company

There are various types of company that can be formed in different jurisdictions, but the most common forms of company are: There are several and they are:

* a company limited by shares. The most common form of company used for business ventures.
* a company limited by guarantee. Commonly used where companies are formed for non-commercial purposes, such as clubs or charities. The members guarantee the payment of certain (usually nominal) amounts if the company goes into insolvent liquidation, but otherwise they have no economic rights in relation to the company .

The topic you choose must be relevant to the content covered in this unit (in particular in the first section, weeks 1-5). This means that you cannot simply study a specific industry sector within the Creative Case Study industries, or a specific company / organisation / artist within that sector; rather, you must discuss them with reference to wider Creative Case Study industries issues.

So, rather than focussing on a particular company, for example, describe this company’s placement within a wider Creative Case Study industries sector; rather than focussing on a particular Creative Case Study industries sector, describe that sector’s tendency to cluster around specific local or global hotspots; rather than describing the work of a particular Creative Case Study organisation in itself, examine how the nature of this work responds to specific problems facing the Creative Case Study industries, etc.

The lectures in the first part of the unit will provide useful pointers here: key questions you might like to examine are how Creative Case Study industry sectors respond to the emergence of the new knowledge economy, to questions of globalisation and local placement, to interdisciplinary, hybrid, or convergence-driven Creative Case Study industries development opportunities, or to the increasing aestheticisation of everyday life and customisation of media and cultural content.